1970’s With a Modern Twist

Drawing inspiration from the brands rich heritage, the Spring/Summer 2020 collection from Linda Farrow celebrates 1970’s style icons with a modern twist. For this season the design focus is on over-sized frames created with meticulously handcrafted acetates, Japanese titanium and precious gold. Feel free to request any additional credit information or samples from our new collection.

Revisiting Dries Van Noten‘s signature wide frame round sunglasses in new season colours, these Dries Van Noten sunglasses pair blue high-shine acetate with blue lenses. Beveling and silver double hinge pin details on the temples and Dries Van Noten logo on the inner temple are signature, with acetate nose pads and curved temple tips for added comfort.

DVN 098 by Linda Farrow

Drawing on the design house’s elegant yet avant-garde aesthetic, these Dries Van Noten oversized sunglasses pair high shine amber acetate with coordinating amber lenses. They are complete with signature light gold double hinge details to the temples.

DVN 195 by Linda Farrow

Reimagining the cat eye silhouette with standout style, these Dries Van Noten sunglasses pair high-shine chunky rose pink acetate with silver stainless steel detailing. Complete with lilac lenses, acetate nose pads and curved temple tips lend superior comfort.

DVN 202 by Linda Farrow

Switching up a classic silhouette with their signature aesthetic, these men’s Dries Van Noten slim aviator sunglasses pair a matte gunmetal stainless steel frame with tortoiseshell acetate temples. With coordinating green lenses, they’ll lend an avant-garde edge to your look.

DVN 197 by Linda Farrow

Set to bring an avant-garde twist to your look, these men’s Dries Van Noten aviator sunglasses pair a yellow gold stainless steel frame with brown acetate temples. Complete with bronze mirror lenses, they bring together classic styling with the signatures of the design house.

DVN 199 by Linda Farrow

For a closer look at the Dries Van Noten collection from Linda Farrow, click here.

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